Sam McKnight is one of the most accomplished and well-respected hair stylists of his generation. His name is synonymous with modern, sexy hair - whether it's in magazines, on the runway or the red carpet.

He's won countless awards but perhaps the biggest accolade is the longstanding creative collaborations he has maintained with some of the best names in the business - Patrick Demarchelier, Nick Knight and Mario Testino; Karl Lagerfeld/Chanel, Vivenne Westwood, Balmain and Fendi to name just a few.

In the fleeting world of fashin imagery Sam's permanence is fixed in some of the most iconic images in modern history - Princess Diana's short, slicked back style, Agyness Deyn's bleached blonde crop, Madonna's Bedtime Stories cover, Cate Blanchett getting her Oscar, Tilda Swinton channelling Bowie, both Lady Gaga and her male alter-ego Jo Calderone plus countless covers and editorial stories of Kate Moss and all the supermodels.

The longevity of Sam's carrer career - over 30 years - provides a fantastic back-catalogue of references to bring to his work and it is this and his search for the new that keeps him so in demand.

SHOWstudio - Sam McKnight Interview

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Design & Production by M/A
News Editor Jessica Hogan

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    Chanel Metiers d’Arts Pre-Fall 2013

    It has been described by Alexandra Shulman on Vogue.co.uk as “magical” and the Vogue Editor-in-Chief even took to twitter to say how much she liked the hair. Chanel’s Pre-Fall 2013, Metiers d’Art collection in Edinburgh’s Linlithgow Palace has been a triumph. Inspired by Mary Queen of Scots (the show did take place in her birthplace after all), Karl’s collection fused tartan, tweed and theatre. For the hair, Sam created two looks, the first of which was homage to Queen Mary, on 18 girls. Hair was braided, frizzed, padded and pinned – a process which took an hour for each girl. The more simple second look for the rest of the girls was boyish braids, which were used to frame the face. All looks were piled with jewels, which were carefully planned the day before to make sure they sat perfectly in the style. Peter Philips, Global Creative Director of Chanel Make-up, framed eyes with double swooshes of black liner were set against velvety matte skin for a modern twist. Long live the Queen.

    See AnOther Magazine‘s interview with Sam on how he created the look.
    Take a look at Sam’s guest blog on Vogue.co.uk about the show.
    Read Style.com’s review and see the images of the entire catwalk show here.

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